WORK
Interceptor – A Netflix Production
Interceptor - A Netflix Production Director: Matthew [...]
Belvedere Vodka “History”
Belvedere Vodka - "History" Director: Dareen Aranovsky—Chromista [...]
Lays DeGea “Bowtie”
Lays DeGea "Bowtie" Director: Bruce Hunt — [...]
Raised by Wolves
Raised by Wolves Director: Luke Scott and [...]
Shang Chi -The Legend of the Ten Rings
Shang Chi -The Legend of the Ten [...]
The Art of Racing in the Rain
The Art of Racing in the Rain [...]
Mazda – A Modern Classic
Mazda - A Modern Classic Director: [...]
Lays Messi “Getting Ready”
Lays Messi - "Getting Ready"Director: Bruce Hunt [...]
Ford Mustang
Ford Mustang Production: Revolver | Director: [...]
Alien Covenant – “Meet Walter”
Alien Covenant - "Meet Walter" Production: [...]
Ford Everest
Ford Everest Production: Revolver | Director: [...]
Gillette Boxhead
Gillette Boxhead Production: Chelsea Pictures | [...]
Mazda – “Still Life”
Mazda - "Still Life" Production: Revolver [...]
Assassins Creed – “Unity”
Assassins Creed - "Unity" Production: Mothership [...]
Alien Covenant – “Last Supper”
Alien Covenant - "Last Supper" Director: [...]
Final Fantasy
Final Fantasy Production: Chromista | Director: Kasra [...]
Hyundai i30
Hyundai i30 Production: Lucious | Director: Tina [...]
Audi Sport
Audi Sport Production: Helium | Director: Jolyon [...]
Underworld, Rise of the Lycans
Underworld, Rise of the Lycans Director: [...]
Hyundai Bad Neighbour
Hyundai Bad Neighbour Production: Finch | [...]
Toyota Corolla
Toyota Corolla Production: Finch | Director: [...]
Nike AeroReact
Nike AeroReact Production: Mothership/Digital Domain | [...]
Gillette Copperface
Gillette Copperface Production: First Avenue | [...]
ABOUT ROSS EMERY
Ross Emery is a Cinematographer and part time contemplative aesthete.
He is on a perpetual search to find ways to enhance stories, support characters and involve audiences using all the visual devices he can find.
This is where he finds satisfaction.
Ross was taken to see ‘Blade Runner’ and ‘Seven Samurai’ on the same day as a teenager, this set him on the path that has seen him involved as a cinematographer on such defining films such as ‘The Matrix’ and its sequels and ’Dark City’ amongst others, even the notorious, such as ‘The Island of Dr Moreau’.
The desire to imprint his films with a strong visual style that is appropriate for the story brought him to be Director of Photography on films like ‘The Wolverine’, ‘The Giver’ and ‘Woman in Gold’. All the time searching for the ways to emotionally involve the audience through the cinematography.
He is one of the few DOP’s who has been able to cross over to all the areas of the craft, being highly regarded for his work in Feature films, all kinds of TV commercials and VFX intensive productions.
Ross is also thinking of doing his thesis on correct footwear for film crews.
Currently he works anywhere the job happens, travel is a speciality.